These
clay
sculptures are intended to come together in a number of possible
configurations. Transforming in order to
integrate the new forms that continue to appear.
The
sculptures have voids that act as
interconnection devises meant to synthesize forms as a type of
mosaic
evolution. The forms appear to come
apart and to move. Each form has an
acoustic resonance that is affected by its elastic qualities,
certain
frequencies
can only be generated with the proper material, when this
material is
folded it
produces characteristic fringe patterns and fragmentations. There is a audible-visual language that can
be revealed with clay in its levels of dry-ness.
Fired
clay Achieves a higher frequency and
breaks very differently than wet clay. Which
will
produce lower frequencies. Sound is an
abstraction in a vacuum, which is primary. Sound
requires
a conduit for both transition
and vocalization. If the properties of
these conduits are sequentially and rhythmically arranged then a
audible
symphony of dynamics can be achieved.
